JUSTIN lives in a kingdom where bureaucrats rule and knights have been ousted. His dream is to be become one of the Knights of Valour, like his grandfather was, but his father REGINALD, the chief counsel to the QUEEN, wants his son to follow in his footsteps and become a lawyer. After an inspiring visit to his beloved GRANDMOTHER and bidding farewell to his supposed lady-love LARA, JUSTIN leaves home and embarks on a quest to become a knight. Along the way he meets the beautiful, feisty TALIA, a quirky wizard called MELQUIADES, the handsome SIR CLOREX and is mentored by three monks; BLUCHER, LEGANTIR and BRAULIO, who teach and test him in the ancient ways of the Knights of Valour. Whilst an unlikely candidate for knighthood, JUSTIN must rise to the challenge quickly when banished former knight SIR HERACLIO and his army, lead by SOTA, return and threaten to destroy the Kingdom

Tim (Rudd) is a rising executive who "succeeds" in finding the perfect guest, IRS employee Barry (Carell), for his boss's monthly event, a so-called "dinner for idiots," which offers certain advantages to the exec who shows up with the biggest buffoon.

Two actors, as their make up is applied, talk about the size of their parts. Then into the film: Laurence Sterne's unfilmable novel, Tristram Shandy, a fictive autobiography wherein the narrator, interrupted constantly, takes the entire story to be born. The film tracks between "Shandy" and behind the scenes. Size matters: parts, egos, shoes, noses. The lead's girlfriend, with their infant son, is up from London for the night, wanting sex; interruptions are constant. Scenes are shot, re-shot, and discarded. The purpose of the project is elusive. Fathers and sons; men and women; cocks and bulls. Life is amorphous, too full and too rich to be captured in one narrative.

Young Florentines regale one another in the Italian countryside while the black plague decimates their city.

Fact-based story about the drug-addled and sordid life of The Rolling Stones founder Brian Jones. Unfortunately the story moves so quickly into the sensationalized decadence and drug-induced state of Jones, that the unknowing viewer has to wonder why anyone would care. There are only a few framing sequences with members of The Stones, particularly Keith Richards, that show they had a great respect for him and tried to bring him back into the band as he drifted away. Mixed into the destruction of Jones is a common builder, Frank Thorogood, who is given the unenviable task of trying to please Jones by rebuilding his estate and to watch him per Jones' manager's instructions. Thorogood's life is so far removed from all of the sex and drugs that he sees, that he envies and desires the tawdry life as well, but never quite fits in. Unfortunately, at least according to this film and according to a supposed death bed confessional of Thorogood in 1993...

Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England...